Wednesday, April 2, 2008
Taping up for Babyface
This is a painting of my husband Taylor, inspired by our climbing trip to Hueco Tanks, Texas. 'Taping up' refers to the practice of taping the fingers prior to rock climbing. We use white zinc oxide tape, and it helps protect the tendons in your fingers. When climbing, especially bouldering (which is an intense form of climbing without ropes), there is an immense amount of weight borne on the fingers, and injuries are common.
Taping up can also become part of the ritual prior to attempting a hard climb - preparing yourself mentally and physically, might involve chalking your hands, cleaning your shoes to achieve maximum friction, and visualisation - of the moves, of success.
I loved this image - I think it's both personal and universal. Most people have little rituals they perform (often unknowingly) before they do something important, or stressful, or momentous...like exams, flying (if you're scared), first dates, etc. Before I start a big painting I have a series of things I have to do before I'm ready - eg. organise my space, make sure there are no distractions, and wake up knowing that I'm going to paint that day - all those little things which help to focus on the task at hand.
Labels:
hueco tanks,
ritual,
taping up. climbing
Tuesday, April 1, 2008
Washing Brushes
So I'm finished painting the Kokanee for the Foyer Gallery exhibition - I did already have enough work but I just wanted to make a set of really loose mixed media pieces to work with the photos I had, (which have been sitting in the hard drive since last Fall..) so I can get some ideas for larger oils - I think they'll be very dramatic!
I've missed doing my little daily oils, but I have gone back to the easel with fresh enthusiasm and ideas. This study is part of the ongoing theme of 'Home', inspired by both the physical location we live - with it's fabulous light and angular construction - and the sense of place I've found in my life. The morning light in our kitchen is amazing, and the window looks out over an evergreen tree line, and the sky..which throughout the day changes from white to blue, and blooms with colour in the evening. It's a great distraction when you're washing dishes (or brushes!)
I've missed doing my little daily oils, but I have gone back to the easel with fresh enthusiasm and ideas. This study is part of the ongoing theme of 'Home', inspired by both the physical location we live - with it's fabulous light and angular construction - and the sense of place I've found in my life. The morning light in our kitchen is amazing, and the window looks out over an evergreen tree line, and the sky..which throughout the day changes from white to blue, and blooms with colour in the evening. It's a great distraction when you're washing dishes (or brushes!)
Labels:
brushes,
Home,
kokanee,
light. kitchen
Friday, March 28, 2008
Breaking away from the herd
Breaking away from the herd
Mixed Media
11x14"
$300
If you would like to buy this painting, it will be available from the Foyer Gallery from April 11th 2008. Please email me at art@shelleyhocknell.com for more details.
The mixed media I am using is watercolour, pastel, and inks. They are great fun to create, and you can generate a lot of movement really spontaneously. I used a coloured paper for this one, and the pigments react differently to it, creating an unpredictable environment, to an extent, which opens up lots of possibilities for 'happy mistakes'.
Mixed Media
11x14"
$300
If you would like to buy this painting, it will be available from the Foyer Gallery from April 11th 2008. Please email me at art@shelleyhocknell.com for more details.
The mixed media I am using is watercolour, pastel, and inks. They are great fun to create, and you can generate a lot of movement really spontaneously. I used a coloured paper for this one, and the pigments react differently to it, creating an unpredictable environment, to an extent, which opens up lots of possibilities for 'happy mistakes'.
Labels:
kokanee,
mixed media
Thursday, March 27, 2008
Kokanee Photo

I thought it might be interesting to show one of my photographs of the Kokanee which I've been working from - especially for people who haven't seen them before.
Wednesday, March 26, 2008
Art Review on EmptyEasel.com!

Thankyou EmptyEasel for a really cool review! Check it out at emptyeasel.com
Labels:
empty easel
Tuesday, March 25, 2008
Kokanee studies
This is a detail from a series of mixed media paintings I'm working on for my forthcoming exhibition at The Foyer Gallery at Lake Tahoe Community College. The theme of my show is inspired by the spawning Kokanee Salmon, found here in Lake Tahoe.
Mixed media works are great fun, as they allow me to experiment with marks and colours in a more immediate way than oil painting. I use watercolour, pastel, inks and charcoal on heavy watercolour paper - which I stretch in advance to avoid buckling and to create a uniform, stable surface to work on.
Many of these Kokanee paintings have a metaphorical significance for me, and I find the repetitive nature of the designs liberating. There's so much energy and movement in the images, which makes for a dynamic which is visually exciting, as well as thought provokingly open to interpretation. On a pragmatic level, the images are dealing with the life cycle of fish. The kokanee return to the same place they were born (Taylor Creek), to lay eggs and then die. During the spawning they change from silver with a blue stripe to bright pinky-red with blue heads. The spectacle of hundreds of brightly coloured fish 'treading water' in a shoal just beneath the surface of the clear Tahoe water is breathtaking.
The poetic nature of this visually striking display is hard to dismiss. The joyous writhing is soon replaced by death. The luminous colour turns to grey, upturned fish litter the stream - a hearty meal for the bears, beavers, coyotes and birds who inhabit this picturesque landscape. The fertilised eggs are buried in the streambed, and hatch 100 days later, to start the whole cycle again.
Sunday, March 23, 2008
More Bedtime Stories!
More Bedtime Stories
Oil on Canvas Panel
10x8"
Oil on Canvas Panel
10x8"
$79.99
Click here to purchase
I got a nice big delivery of art supplies yesterday from Dick Blick, so I was really excited to try out my new canvas panels for these studies. I also ordered to big roll of canvas and some 60" stretcher bars, so that should keep me busy for a while!
This is a painting I've had in mind for a long time, and has a lot of meaning besides the subject for me. Most things I paint end up having some kind of personal metaphor embedded in them, whether or not I realise it at the time I paint it.
Sometimes I have to sit back after I've finished a big painting, exhausted, and just stare for hours at it. I'm becoming familiar with it, which I know sounds weird because I might have just spent a few weeks being obsessed with it while I'm structuring ideas, making drawings, stretching canvas or preparing a panel, and then actually painting it.
Sometimes it feels like someone else painted it, and I just came along at the end and decided on a title. I think that's when I know I've really allowed something subconscious to drive a piece, and so the emotion can be somewhat raw and challenging. I used to be fairly spiritual, and imagined that someone was channelling though me in some way. I don't feel that way any more. I know it all comes from me, from my experience, from my body, and my mind. It's not always an easy thing to accept.
This is a painting I've had in mind for a long time, and has a lot of meaning besides the subject for me. Most things I paint end up having some kind of personal metaphor embedded in them, whether or not I realise it at the time I paint it.
Sometimes I have to sit back after I've finished a big painting, exhausted, and just stare for hours at it. I'm becoming familiar with it, which I know sounds weird because I might have just spent a few weeks being obsessed with it while I'm structuring ideas, making drawings, stretching canvas or preparing a panel, and then actually painting it.
Sometimes it feels like someone else painted it, and I just came along at the end and decided on a title. I think that's when I know I've really allowed something subconscious to drive a piece, and so the emotion can be somewhat raw and challenging. I used to be fairly spiritual, and imagined that someone was channelling though me in some way. I don't feel that way any more. I know it all comes from me, from my experience, from my body, and my mind. It's not always an easy thing to accept.
Labels:
canvas,
Ellie,
oil painting,
processes
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