Waiting II

Waiting (ii)
Charcoal on Paper
30 x 22"

This is a study for an oil I did yesterday - I'll post it as soon as it's dry enough to photograph!

Life Drawings (Autumn/Winter 2009)

Annie
Charcoal on Paper
30 x 20"

For sale - contact me for a price.
shelley.zentner@gmail.com

Life Drawings (Autumn/Winter 2009)

Seated Nude
Charcoal on Paper
30 x 20"

For sale - contact me for a price.
shelley.zentner@gmail.com

Charcoal Study

Danielle (i)
Charcoal on Tinted Paper
22x15"

More Drawings...

Charcoal Drawings 9 - 10

Joel
Charcoal on Paper
22x30"

First time drawing again for a while, feels good!

I didn't get to finish this one, unfortunately. I thought I'd post it anyway - it was a great pose, very challenging!

I'm looking for female models in the Tahoe area - either portrait or full body. No cash involved I'm afraid, but I'll exchange your time for a free portrait in charcoal. Email me at art@shelleyhocknell.com for more details.

Charcoal Figures 7

As yet untitled
Charcoal heightened with white conte
30x22"

As yet untitled (Detail)

Available for purchase, please contact me for a price

Just in case you guys thought I'd forgotten about my commitment to do thirty drawings before I picked up a brush again - I haven't, I've just been too busy and preoccupied to post them!

Charcoal Figures 5

Release
Charcoal drawing
30x20"

Click on image to enlarge

I think this drawing really captured what I intended - so I'm happy about that. It's funny, looking at yesterdays's drawing (Tension) compared with today's, I can really see how stressed out I was, and how it channeled into the image. I meditated and did Yoga this morning before I started drawing, and I'm glad I did because some of that peacefulness came through.

Charcoal Figures 4

Tension
Charcoal on Paper
30x20"

Click image to enlarge

Normally I nag Taylor about his shoulders - draw them back, stretch! He thinks Yoga is hilarious, and despite the fact that he can't touch his toes he can pull off a full Lotus with no effort or training - frustrating for the likes of me who has to work really hard towards stuff like that. Taylor's got classic climber's shoulders: big for his frame, prone to round forward, and susceptible to injury and aches.

In this case, however, the question mark physique is perfect. The tension through the arms and fists is emphasised even more by the angle of his torso. My next piece will be the 'release' of this pose - I'm looking forward to the challenge.

I'm sold on the paper by the way - I first tried this drawing on the cheaper paper and the way the charcoal skidded around the surface was really frustrating after the nice tooth I was using yesterday. I 'chalked' it up to experience, and started again.

Charcoal Figures 3

Flight
Charcoal on Paper
20x30"

(Click on the image to enlarge)

I've been experimenting with different papers, since the charcoal behaves differently on different surfaces. I'm going to have to get my head around the cost of the nice paper, as I did with the museum quality painting panels - I start tightening up when I know the surface is expensive. When I was at art school, we were encouraged to be experimental with our materials - and that meant dumpster diving, using found materials and recycling older works. The freedom of expression, and willingness to let go (and maybe get in wrong) is so much easier working on an old fag packet, or a napkin in a bar than on a sheet of $6 paper - which I know isn't that expensive in the scheme of things, but if 10 drawings end up in the bin....that makes me take a bit more care.

I guess it's a similar principal to what I was writing about in my last post - if you're thinking about failing/falling, then you probably will. Hmm.

Charcoal Figures 2

Equilibrium (ii): Breathing is Balance
Charcoal on Paper
20x30"

The title comes from two sources: an older piece I did in 2004 named Equilibrium (below), which depicted a woman half falling half flying through a crazy mass of marks and brush strokes. It was created during an unsettled time of my life when I was striving to find balance amidst chaos and transition. The best I could do at that time was steer into the skid, so to speak.

In this piece, by contrast I'm trying to evoke a sense of tentative balance by means of focus and discipline. The latter half of the title comes from a piece of advice my sage husband gave me when we were slacklining on the beach recently. Slacklining is something climbers often do on rest days. You stretch a length of 1" webbing between two trees, and attempt to walk/jump/turn/whatever on it. It's a bit like tightrope walking, with a lot more play in the line.

I've found that I can walk on the slackline much better this year, I think in part due to the yoga I did all winter. The discipline of breathing exercises really helps me to clear my mind - and if you're thinking about breathing, you're not thinking about falling. This has helped my climbing too, as you can imagine. So when Taylor said to me, "Breathing is balance..." it made so much sense to me, and the alliteration makes it easy for me to remember...or was it "balance is breathing"...? oh well, I think they're interchangeable anyway!

Equilibrium (2004)
Mixed Media on Paper
Sold

Charcoal Figures

Untitled Nude (i)
Charcoal on Paper
20x30"

I've set myself a task - to produce thirty life drawings before I pick up a brush again. I've neglected drawing in favour of painting for a long time now, and doing the Black & White show at the Truckee River Gallery reminded me how important it is to draw.

I love drawing figures, so this should be a really fun task. I tend to look for drama in a drawing, so I set up the lights to almost obscure the model's face and any detail on the upper body. I'm drawn to the idea of transcendance in this image, the blurring of boundries and identity - of finding something more universal, or archetypal.

When I was at art school, we discussed the difference between being naked and being nude. In my understanding, being naked implies a vulnerability - being stripped of clothing, exposed. Whereas a nude person wears their body like an expensive dress - confident, in control.