Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Tuesday, January 26, 2010

8 on 80...a sneak preview


Martin
Charcoal on Bristol Paper
14 x 11"

Kim Wyatt (of Bona Fide Books) and I are producing a book called 8 on 80. It's theme is rad 80 year old Tahoe locals, who still ski almost every day of the season. Kim is interviewing them, and I sketch them whilst they tell us about their lives, and reveal a little of the secret of staying active and living life to the full into their 80's. More to come...

Friday, January 30, 2009

Three More Oils

Love
Oil on Panel
24x12"


Expectation
Oil on Panel
24x12"


The Future
Oil on Panel
24x12"

Friday, January 16, 2009

Another Portrait


Kristen
Oil on Panel
12x24"


I'm really into this format - widescreen!

I've been reading a useful book: The Simple Secret to Better Painting: How to immediately improve your art with this one rule of composition by Greg Albert.

The rule is short and sweet: Never make any two intervals the same. The rule refers to composition, value, marks, everything - and is incredibly effective. It has really made me think about what I do (I've been doing a lot of thinking lately), and has helped me solve some of the issues I've been scratching my head over in my work.

Saturday, January 3, 2009

Finding yourself

I had one of those eureka! moments watching Finding Neverland the other night. I often get inspired by particularly 'painterly' films, like The Piano, and Girl with a Pearl Earring. This is inspired by a still from Neverland, of lovely Kate Winslett. I got my sketchbook out as soon as the film ended, excited and impatient to capture the image with seemed to be a crystallisation of what I've been restlessly striving for.

I've been struggling with this concept I have for portraits of women - they've just been coming out crap. I think I was confused about what I wanted to achieve - I wanted 'feminine' and I painted 'girly'. I want to paint something which speaks about women as people - emotionally and psychologically different from men, but also I want to capture something of the human condition, in an unspoken narrative.

I've also been stuggling with my 'style', such as it isn't. I've had this rather unappealing image of myself as Derek Zoolander standing in front of a mirror, going "Who am I?"

I want to paint loosely, and then I get all uptight because I'm all excited about ideas, and forget to let it flow. The studies came out great, nice and loose, lots of energy and clean paint - and then when I try and transfer that to the real thing...well, not good. Maybe I shouldn't do studies, I never used to. Maybe all the energy is spent after I've painted it once. I have learnt a lot though, about colours and the type of space I want to create, so all is not lost.

Anyway, I'm really happy with this Kate Winslett painting, and I think it's opened the door to a lot more. Yay!